๐Ÿ˜๐„๐ฌ๐ญ๐จ๐ฒ ๐ญ๐š๐ง ๐ž๐ฆ๐จ๐œ๐ข๐จ๐ง๐š๐๐จ, ๐ฒ ๐ง๐จ ๐ฉ๐ฎ๐ž๐๐จ ๐œ๐ซ๐ž๐ž๐ซ ๐ช๐ฎ๐ž ๐Ÿ๐ฎ๐ž๐ซ๐š ๐ฉ๐จ๐ฌ๐ข๐›๐ฅ๐ž - ยก๐ž๐ฅ ๐ญ๐ž๐ฅรฉ๐Ÿ๐จ๐ง๐จ ๐ฆรก๐ฌ ๐ฉ๐จ๐ฉ๐ฎ๐ฅ๐š๐ซ ๐๐ž๐ฅ ๐ฆ๐ž๐ซ๐œ๐š๐๐จ ๐š ๐ฎ๐ง ๐ฉ๐ซ๐ž๐œ๐ข๐จ ๐ข๐ง๐ข๐ ๐ฎ๐š๐ฅ๐š๐›๐ฅ๐ž!๐Ÿ“ฑ

The iPhone 11 Pro has Appleโ€™s first triple 12-megapixel camera setup. It has the same normal and 2x telephoto configuration as previous models, but adds the new ultrawide camera from the iPhone 11.

The combination gives you the ability to shoot at 0.5x, 1x or 2x optical zoom then up to 10x digital zoom.

Apple calls this a โ€œpro camera systemโ€ and like the dual-camera system fitted to the iPhone 11, it is a noticeable step up from last year, producing some of the best images Iโ€™ve had the pleasure to shoot across a range of different lighting conditions.

Appleโ€™s new night mode brings the iPhone 11 Pro up to par with the gold-standard of Googleโ€™s Pixel 3 in very low-light photography, but note that it only operates on the main camera not the ultrawide or telephoto.

The automatic mode takes multiple frames between one and three seconds when handheld, depending on available light and how much youโ€™re shaking the phone. Stick it on a tripod and you can set it to up to 30 seconds, which is best illustrated with starry sky shots - something I couldnโ€™t test in dank, rainy Britain.

Smart HDR has been improved in bright lighting conditions too, producing well controlled highlights with detail in both shadow and bright spots. Images are slightly less flat and more dramatic than the XS last year too, which is a good thing.