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APPLE IPHONE 11 PRO REVIEW: CAMERAS
Okay, this is the big section. The iPhone 11 Pro is Apple's first rear triple-camera system, in a year that's been full of them. The third lens is another first for the iPhone: an ultra-wide lens. These again are now de rigeur for phones, having arrived on just about every high-end handset in the last 12 months.
That's in addition to the standard wide-angle lens and 2x telephoto lenses that the device inherits from the iPhone XS (this dual setup was also found on the iPhone X, iPhone 8 Plus and iPhone 7 Plus).
These remain largely unchanged, with two small but impactful updates. The first is that the telephoto lens now has a larger aperture, which lets in 40% more light ā this makes it noticeably better in situations that don't involve bright sunlight, and makes for more detailed portrait shots, as we'll see.
The second is that the wide-angle sensor now has 100% focus pixels, which is tech talk for saying that it's much faster and more accurate at focusing, especially in very low light. This is vital for the new Night mode option, which is exclusive to the 11 series of iPhones.
Like similar options on other devices (Google's Night Sight, Samsung's Bright Night, etc), this takes a slow shot in very dark conditions and pulls out colour and detail that would be totally lost normally.
To accommodate all this, there's a new design of the Camera app that's exclusive to iPhone 11 and iPhone 11 Pro. The flashiest difference is that the live view of what's being shot isn't just limited to the main viewfinder ā if you're using the wide-angle lens, a faint view of what the ultra-wide is seeing is displayed under the buttons, making it a bit easier to decide whether you want to change your zoom level.
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